ACAM: What to Do in Laos

Where shall I go and what shall I do in Laos? Here are some ideas; please add your own in the comments!

The literacy mouse of Laos

Volunteer at Big Brother Mouse in Luang Prabang
Big Brother Mouse is a Lao-owned business with the motto “books that make literacy fun for children in Laos.” They publish books in Lao and deliver them to children all over the country; sometimes these are the first books the children have ever seen. A couple things I really like about this organization: non-Lao people contribute to it, but it’s owned and run by people from Laos who want to improve literacy in their own country, not just foreigners who want to import their own ideas; along those same lines, while they publish some public domain books in English, their main focus is publishing in Lao so that children grow up reading their own language; and as you can see in their motto, they present reading as a fun pastime, not just another form of schoolwork. You can donate money to help fund publishing (you can see how trustworthy they are here). You can also drop by their bookstore in Luang Prabang and do some informal English practice with young folks, and that’s what I intend to do when I’m there. (I learned about the program from this post by the niece of a travel blogger I follow.)

Plenty of storage space

Wander the mysterious Plain of Jars
Like Stonehenge or the Pillars of Carnac, the Plain of Jars is a collection of stone objects with some significance lost to the modern age. No one is quite sure who made these jars or why, but various sizes of stone jars are scattered near the town of Phonsavan, and you can pay about a dollar to walk among them and speculate to your heart’s content. Funerary jars? Food containers? Alien practical jokes a la the pyramids? An interesting tourist destination, anyway, that’s for sure.

Golden grace

Visit the temples of Luang Prabang
Because this formerly royal city is a Unesco World Heritage site, trucks and buses are banned from the city center, so it’s retained much of the calm that attracted worshipers and tourists alike. There are over 30 Buddhist temples in town, most of them active, so many orange-robed monks mix in with the crowds of locals and visitors. The daily alms giving ceremony is either not to be missed or overrun with tourists and devoid of meaning, depending on who you ask. I probably lean toward not gawking at ceremonies of the devout, but we’ll see what the situation is when I’m there.

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They Don’t Make ‘Em Like They Used To

As I’m sure you’ve guessed from my various movie posts, I’m a sucker for the old studio films. I love the sharp costumes, the smoldering glances, the real moral dilemmas, the incisive character profiles. But mostly, the smart dialog! It’s great across the board. Thrillers like The Third Man, where every word means four different things, and screwball comedies like Bringing Up Baby, where the back-and-forth between the romantic leads is the whole point. But I don’t often find the lighthearted patter of a romantic comedy in a film noir, so I was delighted to find that the 1944 film Laura had just that. There are some wonderful twists and femme fatale moments, as there are in all the best film noirs, but it adds some extra touches like this scene between Laura (Gene Tierney) and Shelby (Vincent Price, before his horror movie days).

a little rom com in your film noir

Shelby: I knew there was something on my mind. What is it… Oh yes–will you dine with me tomorrow night?

Laura: Maybe.

Shelby: No, that isn’t what’s worrying me… It’s the next night.

Laura: But Shelby, I can’t–

Shelby: Good. What about three weeks from tonight and all the nights in-between?

Laura: Don’t you think I have any other engagements?

Shelby: What about two months from now and the month after that?

Laura: What about next year?

Shelby: That’s all settled. What about breakfast?

Laura: (laughs) What about dancing? (They get up and dance.)

Shelby: What about lunch? Beautiful lunches. Day after day after day after–

Laura: What about work? Beautiful work. Day after day after day…

Shelby: Why, Miss Hunt, the way you talk, you’d think I was in love with you.

At which point I fell a little bit in love with this movie.

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Non-Equity Jeff Awards Announced

Okay, one more theater-related thing this week, and then no more til my next (potentially controversial!) review. Last week the Jeff Committee announced nominees for the Non-Equity Jeff Awards (the Tonys of Chicago), so I checked out the list to see if anything looked familiar. And lo!

Opus” — Redtwist Theatre (for Play, Director, Ensemble, Sound Design, Artistic Specialization)

A Behanding in Spokane” — Profiles Theatre (Supporting Actor)

One Flea Spare” — Eclipse Theatre Company (Supporting Actor)

Under the Blue Sky” — Steep Theatre Company (Supporting Actress)

We Live Here” — Theatre Seven of Chicago (New Work, Artistic Specialization)

Cyrano” — The House Theatre of Chicago (New Adaptation, Original Incidental Music, Costume Design, Fight Design)

The Spirit Play” — The Strange Tree Group (Original Incidental Music, Artistic Specialization)

The Sea” — Theatre Mir (Sound Design)

For my money: Opus was one of my favorite shows last year and definitely deserves Director or Play. I would not give it Artistic Specialization (it was nominated for Music Coach); one of the actors never once did vibrato on her viola!

Caroline Neff, yes, should of course win Supporting Actress for Under the Blue Sky. We Live Here was another one of my favorites and deserves a win for New Work (and Cyd Blakewell, who was also great in last year’s MilkMilkLemonade, was a standout here).

Cyrano was terrific, and the fight scenes were breathtaking. I did like the music in The Spirit Play.

Hey, eight nominated shows! Not bad. And I agree with most of the nominations for those shows. Even better. Some of the nominated shows are still running, so check them out while you still can.