New Centerstage Review Up

Gorilla Tango hosts a dizzying array of bare-bones theater troupes, which put on any number of energetic shows every year. Some of them are great, some of them not so much, but they’re always done with passion. And they’re cheap, too! I recommend Gorilla Tango in general. And I’ll recommend the latest show I saw there: a musical parody called Attend the Tale of Danny Tanner: A Full House Musical. The writers of the show said they wanted to cross the sitcom with Sweeney Todd, and that’s about right. Here’s an excerpt from my play review:

It’s not spoiling anything to say that this is one bloody show. Within the first five minutes, we learn that Danny (Rob Speer) commemorates the anniversary of his wife’s death by finding and killing a drunk driver. Joey (Gorton) and Jesse (James Dolbeare) help him out in return for having a free place to stay, and the kids stay blissfully ignorant. That is, until Danny loses it one night during a Life Lessons moment and claims more than one victim.

You can read the rest of the review here. You do have to be comfortable with Michelle cussing up a storm, and with someone meeting a messy end every other scene. But the lyrics are clever, the performances enthusiastic, and the run time an hour. Enjoy!

ACAM: What to Do in Laos

Where shall I go and what shall I do in Laos? Here are some ideas; please add your own in the comments!

The literacy mouse of Laos

Volunteer at Big Brother Mouse in Luang Prabang
Big Brother Mouse is a Lao-owned business with the motto “books that make literacy fun for children in Laos.” They publish books in Lao and deliver them to children all over the country; sometimes these are the first books the children have ever seen. A couple things I really like about this organization: non-Lao people contribute to it, but it’s owned and run by people from Laos who want to improve literacy in their own country, not just foreigners who want to import their own ideas; along those same lines, while they publish some public domain books in English, their main focus is publishing in Lao so that children grow up reading their own language; and as you can see in their motto, they present reading as a fun pastime, not just another form of schoolwork. You can donate money to help fund publishing (you can see how trustworthy they are here). You can also drop by their bookstore in Luang Prabang and do some informal English practice with young folks, and that’s what I intend to do when I’m there. (I learned about the program from this post by the niece of a travel blogger I follow.)

Plenty of storage space

Wander the mysterious Plain of Jars
Like Stonehenge or the Pillars of Carnac, the Plain of Jars is a collection of stone objects with some significance lost to the modern age. No one is quite sure who made these jars or why, but various sizes of stone jars are scattered near the town of Phonsavan, and you can pay about a dollar to walk among them and speculate to your heart’s content. Funerary jars? Food containers? Alien practical jokes a la the pyramids? An interesting tourist destination, anyway, that’s for sure.

Golden grace

Visit the temples of Luang Prabang
Because this formerly royal city is a Unesco World Heritage site, trucks and buses are banned from the city center, so it’s retained much of the calm that attracted worshipers and tourists alike. There are over 30 Buddhist temples in town, most of them active, so many orange-robed monks mix in with the crowds of locals and visitors. The daily alms giving ceremony is either not to be missed or overrun with tourists and devoid of meaning, depending on who you ask. I probably lean toward not gawking at ceremonies of the devout, but we’ll see what the situation is when I’m there.

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They Don’t Make ‘Em Like They Used To

As I’m sure you’ve guessed from my various movie posts, I’m a sucker for the old studio films. I love the sharp costumes, the smoldering glances, the real moral dilemmas, the incisive character profiles. But mostly, the smart dialog! It’s great across the board. Thrillers like The Third Man, where every word means four different things, and screwball comedies like Bringing Up Baby, where the back-and-forth between the romantic leads is the whole point. But I don’t often find the lighthearted patter of a romantic comedy in a film noir, so I was delighted to find that the 1944 film Laura had just that. There are some wonderful twists and femme fatale moments, as there are in all the best film noirs, but it adds some extra touches like this scene between Laura (Gene Tierney) and Shelby (Vincent Price, before his horror movie days).

a little rom com in your film noir

Shelby: I knew there was something on my mind. What is it… Oh yes–will you dine with me tomorrow night?

Laura: Maybe.

Shelby: No, that isn’t what’s worrying me… It’s the next night.

Laura: But Shelby, I can’t–

Shelby: Good. What about three weeks from tonight and all the nights in-between?

Laura: Don’t you think I have any other engagements?

Shelby: What about two months from now and the month after that?

Laura: What about next year?

Shelby: That’s all settled. What about breakfast?

Laura: (laughs) What about dancing? (They get up and dance.)

Shelby: What about lunch? Beautiful lunches. Day after day after day after–

Laura: What about work? Beautiful work. Day after day after day…

Shelby: Why, Miss Hunt, the way you talk, you’d think I was in love with you.

At which point I fell a little bit in love with this movie.

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Non-Equity Jeff Awards Announced

Okay, one more theater-related thing this week, and then no more til my next (potentially controversial!) review. Last week the Jeff Committee announced nominees for the Non-Equity Jeff Awards (the Tonys of Chicago), so I checked out the list to see if anything looked familiar. And lo!

Opus” — Redtwist Theatre (for Play, Director, Ensemble, Sound Design, Artistic Specialization)

A Behanding in Spokane” — Profiles Theatre (Supporting Actor)

One Flea Spare” — Eclipse Theatre Company (Supporting Actor)

Under the Blue Sky” — Steep Theatre Company (Supporting Actress)

We Live Here” — Theatre Seven of Chicago (New Work, Artistic Specialization)

Cyrano” — The House Theatre of Chicago (New Adaptation, Original Incidental Music, Costume Design, Fight Design)

The Spirit Play” — The Strange Tree Group (Original Incidental Music, Artistic Specialization)

The Sea” — Theatre Mir (Sound Design)

For my money: Opus was one of my favorite shows last year and definitely deserves Director or Play. I would not give it Artistic Specialization (it was nominated for Music Coach); one of the actors never once did vibrato on her viola!

Caroline Neff, yes, should of course win Supporting Actress for Under the Blue Sky. We Live Here was another one of my favorites and deserves a win for New Work (and Cyd Blakewell, who was also great in last year’s MilkMilkLemonade, was a standout here).

Cyrano was terrific, and the fight scenes were breathtaking. I did like the music in The Spirit Play.

Hey, eight nominated shows! Not bad. And I agree with most of the nominations for those shows. Even better. Some of the nominated shows are still running, so check them out while you still can.

In a Forest of Comments, Dark and Deep

Well, that was interesting. As you may have seen on Facebook, one of my quickie posts promoting my latest theater review on Centerstage caught the eye of the playwright for that show. Neil LaBute, a nationally known playwright, screenwriter, and film director, somehow found my personal blog and responded to my criticism of his characterization of women in his works. (I was able to confirm with someone who knows his email address that it really was him writing in, and not a random Internet LaButist.)

I know this isn’t an original thought, but what a strange place the Internet is! Connecting people who would never meet in real life, and allowing for real-time interaction. Usually when I have an “oh, Internet!” moment, I’m smiling at a friend of a friend offering travel advice, or a total stranger sharing an experience that relates to one of mine. Having an “oh, Internet!” moment when a major contemporary playwright is sniping away at me is quite a different thing.

He’s done this before, with another young woman critic. He wrote a frame for Chicago Shakespeare Theater’s 2010 Taming of the Shrew, and Caitlin Montanye Parrish reviewed it for Time Out Chicago. He took to the comments with great gusto, others joined in, and it was quite a long thread. Sadly, TOC seems to have taken down the comments on that post, which is way too bad. Still, there is evidence out there of the storm, and one blog post even copy/pasted the comment that started it all.

Now, before I get in trouble for writing another “hyperbolic” (LaBute’s term for my writing) sentence, let me say that I was going to point out that his misogyny continues apace because he only tore down my (lady) review and not anyone else’s (dude) review. But no worries, he hates all the haters, not just women. Such growth! (Or maybe he continues to hate TOC after that 2010 dustup, I don’t know.)

So okay, he goes after all his critics because, like many artists, he sees critics as the enemy. Some critics are dicks, sure, just like some artists are dicks. But most of us work real hard to be thoughtful in our reviews. As I mentioned in the comments of that post, the post-show conversation is a place for productive conversation, not petty bickering.

LaBute didn’t fight fair–pretty much every comment was undermining and defensive, rather than engaged and interested in the other commenters’ positions. That’s too bad, because the discussion could have been a lot more interesting for everyone involved. But he picked a fight on the Internet, and that’s a losing proposition. So I let him have the last word–on every thread–since that seemed to be really important to him.

It was a funny little interlude in the life of this blog and a reminder that people with Google Alerts on their name can turn up where you least expect them.