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Every totalitarian regime has an apparatus for maintaining control: trusted government officials and spies, torture facilities to get information from those the spies turn in, secret prisons to stash uncooperatives away. Every totalitarian regime finds that the paranoia this system engenders results in the very same officials and spies who turned people in being themselves brought in on charges of sedition. If your government is run on fear, that fear is going to turn against the government and the people who work in it.

S-21

Pol Pot’s Khmer Rouge regime was no different. Pol Pot and his top advisers, including Comrade Duch, set up prisons throughout the country. I visited S-21, a high school that was converted to Security Prison 21, now called Tuol Sleng, which apparently means “Hill of the Poisonous Trees” or “Strychnine Hill.” Unlike the killing fields at Choeung Ek, S-21 wasn’t torn down during the liberation. Instead, it looks like the prison was left exactly as it was when the prisoners were freed. The bed frames sat at an angle in the center of the floor, the doors creaked on the hinges of the wooden barracks built in classrooms. The floors were dirty and the walls covered in grime and what was probably dried blood. It’s like the prisoners who were here only just left. History as recent as yesterday. Ghosts in every room.

One of the prison rooms

S-21 is a complex of buildings. Most of them were open to the public but unlabeled, and only a few had placards explaining what went on in there. One building had thin metal frame beds, small lockboxes used as chamber pots, and shackles along the wall. Another building had cells made of wood on one floor and cells of brick on another. They were tiny, barely big enough for me to stand in, and I don’t think I could stretch out my legs if I sat on the floor. The cells were built as the regime brought in more and more prisoners, accusing more and more people of crimes against the state. They needed room to put them.

Wooden cells

Bricked-up cells

Some rooms were emptied of artifacts and filled with fading posters explaining who the leaders of the Khmer Rouge were and what the status of their trials was as of 2011. So far, Comrade Duch is one of the only ones to be convicted of war crimes. The posters included snippets of communication between the top Khmer Rouge officials and their families; these letters were filled with rants against capitalists and those who opposed the regime.

The gallows

An artist's map of the country after the war

An artist’s map of the country after the regime

One floor showed photos of victims and of guards, and copies of statements they signed when confessing crimes–seeing as how some of the guards became victims as the paranoia of the state increased. One binder included confessions by foreign nationals who happened to be in the country at the wrong time. A popular crime to confess to was working for the American CIA.

A written confession and English translation

One floor was dedicated to peace; it had photos of a place that was the site of the only land battle in Japan in WWII, and also a room of drawings by kids calling for peace. All in a building with barbed wire strung in front of the balconies so prisoners couldn’t attempt suicide by jumping. In the courtyard, plumeria trees bloomed.

Barbed wire to prevent suicide jumpers

Part of an art project that asked former workers at S-21 about their memories of the place

There were signs posted outside some of the rooms with a person smiling/laughing and a line through it, but I can’t imagine who would go through these rooms and have any desire to smile. Outside, a poorly translated sign proclaimed the rules of the place, which included “While getting lashes or electrification you must not cry at all” and “Don’t make pretext about Kampuchea Krom in order to hide your secret or traitor.” Duch said the Vietnamese who set up the museum at Tuol Sleng invented these rules, but others claim they were real.

Security regulations at S-21

Graves of prisoners

In one disconcertingly bright room, past a row of rusted foot shackles used to immobilize prisoners, down a long corridor of bricked-up cells barely large enough to fit in sideways, behind the barbed wire fence, I saw a graffitied message a tourist had left at some point. It was a hard message to read in that horrible place, one that seemed nearly impossible under the weight of this very recent, very terrible history. But it was vital to see, and to keep close when returning to the recovering city outside: Give us hope.

Today’s post contains some disturbing imagery of the remains of victims of Pol Pot’s reign in Cambodia.

The sites were chosen for their relative isolation. Space was cleared out in the middle of farmers’ fields, fences erected to keep the curious out and the doomed in. Prisoners arrived in the dead of night and dug their own graves. Patriotic music blasted from loudspeakers–there were no gunshots to hear, but the shrill music covered the dull thud of machetes hitting flesh and the screaming that followed. In the morning, guards sprayed the graves with DDT to ensure everyone in them was dead, and to cover the smell of the corpses. These were the killing fields.

At the Killing Fields

During Pol Pot’s reign in Cambodia, the Khmer Rouge murdered somewhere between 1.7 and 2.5 million fellow Cambodians. Most of the murders took place in what have come to be known as the killing fields. There were dozens of such sites, mostly concentrated around the capital, Phnom Penh. So many people died, but there are very few records that show names, which is part of the reason it’s hard to get an accurate number. After the defeat of the Khmer Rouge by the Vietnamese in 1979, one of those sites, Choeung Ek, was made into the memorial for the dead.

Mass graves at the killing fields

The memorial stupa, containing 17 levels of skulls and bones

I visited Choeung Ek in March, and I was impressed by the audio guide, which was one of the most thorough and thoughtful I heard on my whole trip. The guide took me past dusty stretches of land, which once contained a small hut to house prisoners when there were too many to execute in one day, and several sheds that held the machetes, hoes, knives, hatchets, cart axles, and other weapons. Bullets were expensive, so while farmers in the surrounding fields grew crops with shovels and hoes, the guards used the same implements to hack humans to death.

Some of the weapons used to kill victims

Sometimes the guards even used the sharp edges of palm fronds to cut throats

The fencing today only keeps out neighbors’ chickens

None of the original structures remain. They were all destroyed in 1979, upon liberation. Now, the fields are dusty brown and empty of buildings, except for the Buddhist stupa towering over the dry grass and containing 17 levels of human skulls recovered from the mass graves here. The path went along a few fenced-off areas, where the museum had grouped some victims, such as children who were beat to death against a nearby tree.

Bones that surface after heavy rains are placed in this box

Human bone in the path–history near the surface

Perhaps the most upsetting thing for me, during this hugely (and rightly so) upsetting visit, was when I stumbled over human bones. There are so many bodies buried here that they haven’t finished exhuming them all, so even though I didn’t walk on the mass graves, I twice found myself looking underfoot to find a piece of bone sticking out of the path. The skulls in the stupa, even the bones piled haphazardly in a glass box on the path–these were hard to see, but they were behind glass, they had been processed by officials, they had been counted as part of history. The bones I trod upon in the path were raw reminders of the brutality that took place here, over and over again, and the enormity of trying to order and record it, and the futility of ever knowing who died here.

These skulls are shelved behind sliding doors of glass. Most skulls show some form of trauma.

Bracelets left in memoriam

When I removed the headphones of the audio guide, I heard nothing. A little noise from neighboring animals, a man quietly selling flowers for people to place outside the stupa, but otherwise–silence. I’ve seen hungover, loud tourists at just about every place I’ve visited, but not here. The horror was too great, the history too recent. Everyone maintained a respectful silence for the barely buried victims, whose screams echo in the humid air.