Farm to Table: Dining at Bare Knuckle Farm in Northport, Michigan

I wrote this post last year, after my visit to Bare Knuckle Farm up north. It slipped through the cracks when it came to posting. I’m glad I found it; I’m pleased with the piece and excited to tell you about the shortest distance a farm to table gourmet meal has ever traveled. This year they’re focusing on farming and not cooking, so I’m extra glad I had a meal there while I could.

I wore the wrong shoes. Pam had said there was a short tour of the farm before dinner, and one might logically conclude that a tour of a farm might require somewhat sturdy shoes, but I wanted to look nice for dinner, so there I was in a dress and strappy sandals. We’d arrived a little late, which meant our tour was short — hoop houses of towering plants, a muddy pigpen, a field dotted with geese — and I lagged behind the small group, scolding myself for dressing inappropriately, as my friends asked intelligent questions about the diet of chickens and how the tomatoes were doing. I caught up to the group just in time to see one pig chase another across the pen, and then it was time to go up to the house, where, as it turned out, strappy sandals fit in just fine next to cowboy boots and flip flops.

Abra and Jess of Bare Knuckle Farm

Abra and Jess, cheerful farmers

Bare Knuckle Farm lies outside of Northport, Michigan, the tip of nail on the pinky finger of the state’s left hand. Jess Piskor and Abra Berens are the brains and hard work behind this joint venture. Both University of Michigan grads, they started up a business partnership three years ago based on a mutual desire to grow local, natural food and serve it in a farm-to-table setting. Jess’s grandfather owns the 40 acres of land; most of it is leased to cherry farmers, and the organic farm, so lovingly tended, makes up about 2 acres.

During the growing season, Jess works daily on the farm, and in the summers Abra joins him just about every day. The list of plants they grow and animals they raise is impressive, especially when you think about the small plot of land it’s all done on and the fact that they’re doing it with little assistance and pesticide-free. From May through October, they take their wares to different farmers markets in the region every Friday, Saturday, and Sunday. They also run a small CSA (community supported agriculture), providing weekly produce boxes to families in the area. They’ve been covered in local and national press.

Which is to say that they’re incredibly busy people, so the fact that they also set aside a few days every month to prepare special meals for their friends is just another example of their passion for what they do and the generous spirit they do it in.

kale at Bare Knuckle Farm

neat rows of kale at Bare Knuckle Farm

Both Jess and Abra have worked in the restaurant business (including the famous Zingerman’s in Ann Arbor), and Abra is a trained chef who spends her winters working in fancy restaurants in Chicago. So it’s not surprising that they feel strongly about incorporating some form of meal preparation into the operation of the farm. There are several obstacles, however; the restaurateur’s nightmare of health code regulations, zoning ordinances, and so forth, as well as the unique challenges of opening a business venture in a tourist town.

Memorial Day through Labor Day in the northern part of the Lower Peninsula brings the tourists in droves, and more often than not, they’re upper middle class white folks with money to burn on local arts, crafts, wines, and restaurants. But come September, they’re back at home, and the local population returns to its normal level (under 700 in Northport, and 14,000 in Traverse City, the nearest metropolis for a couple hundred miles). Such a feast and famine situation when it comes to customers presents a dilemma to potential entrepreneurs in the area. Jess and Abra have discussed the possibility of opening a seasonal restaurant, in order to benefit from the tourist influx without suffering during the colder months, but as of yet they have no firm plans.

geese at Bare Knuckle Farm

when I visited, the geese were doing lawn duty, munching down grasses in a field

In the meantime, they have friends over every month to try out Abra’s recipes using the literal fruits of their labors. Guests eat at the house, built by Jess’s grandfather in 1961 and still showing his original decorative touches, such as antique sewing machines holding up the deck seats and a working wood-burning stove in the living room. Giant sliding glass doors take up the entire west wall, with a view directly onto the sunset side of Lake Michigan, and mutli-colored bottles line the support beams, allowing the fading light to filter through dusty prisms and set a glow on the dining tables inside.

When we arrived after a short walk up a dirt path through the trees, I was relieved to see the gleaming wood floors and homey mismatched lamps of the main room. This was clearly a place for comfort and companionship, and just about any shoes would fit here. I followed my friends Pam and Matthew out onto the porch, where Abra had served up the appetizer (goat cheese and apple chutney on toasted bread) and the other guests were opening their wine bottles to start the evening off right.

We all got a little acquainted, and then moved inside for the main event. Jess and Abra had printed up a menu, and on the back they listed where each ingredient came from; most were from a five-mile radius of the farm, and it doesn’t get much more local than that. I appreciated the list of ingredients for another reason, too. It shows a serious investment in community and credit-sharing that is not something I normally associate with the culinary world.

Peninsular stove

charm you can’t fake

One of the advantages of their set-up is that it has the air of authenticity that so many chi-chi restaurants nowadays are trying to reproduce. They didn’t have to carefully re-create old dishware to achieve the mismatched look; those dishes of varying size and color happened to be what they had on hand. No Applebee’s “neighborhood” setting was required; they just plumped up the cushions on the 1970s couch and wiped down the wood table that Jess’s family ate around when he was a boy. If they strike out on a restaurant venture, that’s something to consider, whether they want to continue cultivating that down-home look or shoot for something different. I liked it, and can see it fitting in well in a Northport environment.

Another aspect of the intimate dining environment that was one part friendly conversation, one part fancy restaurant affectation, and one part straight up informative, was the little speech Jess and Abra gave at the beginning of the meal. We were all pouring ourselves a new glass of wine when they came out of the kitchen and said welcome. Jess thanked us for visiting the farm and hoped we’d enjoy ourselves, and then Abra talked us through the menu. She pointed out a few dishes she was especially excited about, such as the salad, which was from a good crop of a certain type of lettuce this year, and the lardo Jess made, which was from last year’s hogs. I loved that she took the time to tell us these things. If the point of a farm-to-table meal is to connect the food on your plate to its source, this seems a necessary step, and if you’re a chef who wants to steer people to appreciate foods they might previously have been unaware of, a pleasurable one.

I was too busy eating and oohing and aahing to take photos, but let me assure you that the presentation was as pleasing to the eye as the food was to the palate. I’ve shared my distaste for vegetables with you all, and I can’t pretend that even this gourmet meal cured me of that, but I will say that a pretty looking salad can make a difference, and collard greens, if placed next to an exquisite chunk of pork, will go a long way indeed. It’s a toss-up whether the poached trout or braised pork cheek (yes, cheek! who knew?) was better, so I will compromise and say both were the best. And then came the cherry ice, made from cherries the next farm over. It’s over a month later and my mouth is watering again, thinking about it.

The atmosphere was entirely genial. We chatted with friends of Pam’s from U of M at one table, and a family from out of state at another. The father of that family generously shared a glass of wine with us during the pork course; he said it went perfectly with the meat, and he was not wrong. After the meal, we sat around chatting as the sun went down, and we watched the kids play with their new puppy on the deck. A lot of this good feeling probably came from the fact that Jess and Abra knew everyone already, but I think their taking the time to sit with us and answer our questions about the farm as well as just chat in general had a lot to do with it as well. I’m sure they were exhausted from an entire day of farmers markets and food preparation, but it didn’t show, and if they can carry that personal touch over to their future restaurant venture, they will create a special bond between restaurateurs and customers that will cement them in the area as a destination for good food served by good people.

Shoe type at your own discretion.

dinner at Bare Knuckle Farm

After a day at the beach, an evening at Bare Knuckle Farm — a perfect summer day with friends

Images 1-3. Images 4-5 by me.

ACAM: What to Do in Laos

Where shall I go and what shall I do in Laos? Here are some ideas; please add your own in the comments!

The literacy mouse of Laos

Volunteer at Big Brother Mouse in Luang Prabang
Big Brother Mouse is a Lao-owned business with the motto “books that make literacy fun for children in Laos.” They publish books in Lao and deliver them to children all over the country; sometimes these are the first books the children have ever seen. A couple things I really like about this organization: non-Lao people contribute to it, but it’s owned and run by people from Laos who want to improve literacy in their own country, not just foreigners who want to import their own ideas; along those same lines, while they publish some public domain books in English, their main focus is publishing in Lao so that children grow up reading their own language; and as you can see in their motto, they present reading as a fun pastime, not just another form of schoolwork. You can donate money to help fund publishing (you can see how trustworthy they are here). You can also drop by their bookstore in Luang Prabang and do some informal English practice with young folks, and that’s what I intend to do when I’m there. (I learned about the program from this post by the niece of a travel blogger I follow.)

Plenty of storage space

Wander the mysterious Plain of Jars
Like Stonehenge or the Pillars of Carnac, the Plain of Jars is a collection of stone objects with some significance lost to the modern age. No one is quite sure who made these jars or why, but various sizes of stone jars are scattered near the town of Phonsavan, and you can pay about a dollar to walk among them and speculate to your heart’s content. Funerary jars? Food containers? Alien practical jokes a la the pyramids? An interesting tourist destination, anyway, that’s for sure.

Golden grace

Visit the temples of Luang Prabang
Because this formerly royal city is a Unesco World Heritage site, trucks and buses are banned from the city center, so it’s retained much of the calm that attracted worshipers and tourists alike. There are over 30 Buddhist temples in town, most of them active, so many orange-robed monks mix in with the crowds of locals and visitors. The daily alms giving ceremony is either not to be missed or overrun with tourists and devoid of meaning, depending on who you ask. I probably lean toward not gawking at ceremonies of the devout, but we’ll see what the situation is when I’m there.

Image 1. Image 2. Image 3.

Detroit: The Motown Museum is Where It’s At

It took a little wheedling, but I convinced my friends that we could postpone our river walk until after we’d visited the Motown Museum. We were in Detroit for a short 48 hours, so every moment counted, and the warm, sunny day beckoned. But after we’d been on the tour and stepped out into the sunlight, we all agreed that we’d made the right decision. Because let me tell you, dearest fellow travelers, the Motown Museum is fantastic.

The house that Gordy built

You can only visit the museum on a tour, which lasts 45 minutes and costs $10. Worth it! About 20 of us gathered in front of a dynamic young woman who explained to us that Berry Gordy, founder of Motown, bought a total of 8 buildings on this residential street (and later a building downtown) in order to house his growing empire. We were standing in one of those, an administrative building, and later on the tour we’d go next door to the white-and-blue two-story that started it all.

We watched a short video full of hit songs and former Motown employees talking about the beginnings of the business. I liked that they confined the interviews to people who talked about their own legacy, rather than outside music critics or even non-Motown artists waxing poetic about the people and sounds that influenced them. There’s enough of that out there, and fair enough, I’m just another white girl who claims Motown music for a big part of her own history. It’s only right that the museum give the airtime to the people who made it all happen.

Berry Gordy was many things: Clearly, you can see he was a looker. He was also a boxer until he decided that girls wouldn't go for a man with too many scars. He served in the Korean War and wrote songs for Jackie Wilson; getting paid pennies for those songs convinced his pal Smokey Robinson that Gordy needed to start his own company in order to keep the money he earned.

The legacy that the people in the video were careful to emphasize was that of a “positive sound.” One person said they changed the world with love and respect, “without making a big deal of it.” They “changed hearts with music and hope.” (Of course there was a lot of change going on in the ’60s, and more radical forms of protest were necessary to bring about important reforms, sure. But great music that everyone could come together for was a crucial part of those changes. Don’t knock the power of music.)

After the video, we went upstairs and our guide told us the secret to the Motown sound. She stood under a part of the ceiling that had been cut away, which created an echo effect. She sang some familiar songs–Four Tops, Temptations, Supremes–and had us sing along. Luckily, we were in a boisterous group and everyone sang along loudly. It’s no fun to be on an interactive tour if no one’s going to interact.

We wandered around the gallery upstairs, checking out the photos and gold records on the walls, and the special exhibit on Marvin Gaye, which included some of the outfits he wore on stage. Also, a fedora and white glove donated by Michael Jackson, yes! One wall was plastered with album covers. Our guide told us that when they were first starting out, they were careful not to put the artists’ pictures on the covers (can’t cross over if the white audiences won’t even pick up the record), and then when they were hugely popular their faces were all over those album covers, and then when they were promoting some white artists like Teena Marie, those artists’ faces weren’t on the covers because the label was too well-known for having black artists! What a bizarre world we live in.

After all this, we went downstairs and next door to the original house. Everything was left pretty much just as it was up until Gordy moved the whole operation to LA in 1972 (the tour did gloss over what a loss this was for the beleaguered city of Detroit), so when Gordy’s sister opened up the museum in 1985, a lot of it was already there. The front desk that Martha Reeves answered phones at before graduating from secretary to performer; the candy machine that always had Baby Ruths three in from the right so Stevie Wonder could find his favorite candy; the scrap paper with running card game scores. And in the back: Studio A.

the original garage band music

I just about grabbed onto something to keep from fainting when we entered Studio A. I’ve been to a lot of historical sites in my various travels, and some of them hit me hard while others have little impact. This was one of those places that took hold of me right away. Studio A is where all the Motown hits up til 1972 were recorded. For the entire 1960s, it was open pretty much 24 hours a day. The Supremes, the Temptations, Smokey Robinson, Martha and the Vandellas, Marvin Gaye, Stevie Wonder, not to mention the Funk Brothers and other musicians who made those voices sound as good as they did. They all stood in this small room–a converted garage, which had a dirt floor for the first couple years of recording–and made the music that we all know by heart. It was a little overwhelming.

All the original instruments are in there. The control room still has grooves in the floor from when producers would pound their feet to the beat. A few pictures taken in the room show you how crowded it got with artists, producers, and writers. Our guide led us all in a verse of “My Girl” and had us do the Temptations dance (you know, the snapping your fingers in a swinging motion from side to side, then a little fancy spin if you have it in you). And then boom, it was over, through the gift shop and back out into the sunlight. Into the world that owes a lot to that small house on West Grand Boulevard in Detroit, Michigan.

Yeah, that's the Temptations dance I was talking about. Being done to great effect by my friends and me.

Images 1 and 4 mine. Image 2. Image 3.